Backlash Of The Gay Stereotypes
Well based on the response from my “Open Letter To LOGO” post, one thing 99.2% of the responders agreed on ….. LOGO is on the road to bankruptcy. But it seemed that a few took exception to my views and at the same time, gave me insight into all of the self-loathing gay stereotypes out there that must have had some horrific experiences reading through the gay want-ads that said “NO FATS, NO FEMMS”. One guy actually asked me if I wanted him to commit suicide. Based on what? My yearning for some non-stereotypical gay programming for the LOGO Channel? Aren’t we being a bit of a drama queen?
And thanks to Michael Musto’s Village Voice posting, I viewed other responses from “Ick” (how appropriate) – “Some of the guy’s statements are illiterate and some of his suggestions for shows would get no ratings. does he not realize Logo is a business, not a charity operation?” And Jessica answered brilliantly “Only someone with a narrow and illiterate mind would think the only way to attract an audience would be to find flashy flamboyant drag queens.” But in actuality, I would have to take more exception with someone posting I have illiterate thoughts without an explanation. Are you too illiterate to ellaborate?
As for the shows I suggested that would get no ratings, well, I can tell you that the Bar Takeover idea did quite well as a stand alone episode on Bravo on a little show called “Tabitha Takes Over”. While Tabitha typically takes over hair salons, here, she stepped out of her comfort zone to take over a gay bar in Long Beach, CA., renovate it and put it back on the map. And the show attracted over a million viewers, which is quite good for Bravo and I’m sure 10 times what LOGO’s kiddie pageant series “Eden’s World” drew.
My favorite comment was from Slimjim, who said “What next–BET will show white shows because they’ll say we found out that’s what black people want???” Exactly Slimjim (except for the grammar issue I had). BET actually is quite popular with their niche audience and a show that failed on the CW called The Game drew over 5 million viewers on BET because they know their audience. Some of you out there would have suggested the LOGO-TV type approach of putting on reruns of Spin City on the channel because there was a black character on there. (Shhh, I forgot, the character was gay too, don’t give LOGO any ideas.)
This also answers JDolphy’s question posed earlier “How does one cater to a community that has no identity?”
Great discussions out there people, but what I found frightful was JDolphy’s later comment that said:
“No one was watching and this forced Logo to rethink how they would reach out to our community. You know what they found out? Gay men, in particular, care more about straight artists with a strong and independent persona than they do about gay ones. So if Logo wants to make a 24-hour Madonna/GaGa/Kathy Griffin/Campy movies/Circuit Party Music-type channel, I would have to agree that it might actually get more people to care. Look at Drag Race. It’s about the only thing on the channel that actually gets good viewership.”
This sounds like someone working inside the LOGO network. Yikes!
So in response.. First of all, I disagree – get new researchers. The A List also had good viewership, but LOGO wanted to “go in a different direction” as per one of the stars of the show, Reichen Lehmkul’s tweet.
Others however, such as Sirius Out Q’s Derek Hartley, publicly denounced the A- List show as heinous in its poor portrayal of the gay community. At the same time, this doesn’t mean we don’t have an interest in watching men being men.
I remember there was also outcry over one of my favorite shows Queer As Folk (the US version). Say what you want about the sexual storylines, but they hit home with the gay world I witnessed and the variety of gay people that touched most aspects of the gay community during its run. And yet please take note JDolphy, people watched! Go figure. And without everyone dressing up in their best boa and shouting for Kathy Griffin.
I think Michael Musto’s Village Voice synopsis showed he was the most spot-on when it came to understanding the message I conveyed. And despite his discomfort with my remarks about LOGO-TV just catering to the Drag side of the gay community, I was pretty clear in stating that I enjoyed the Drag Race series and have no issues with TV shows that highlight the flamboyant side of our community, however, isn’t it about time we showed that we can be funny without being flamboyant?
OK, maybe because I’m partnered with a very funny gay cop who doesn’t exude any of the stereotypical traits found in Modern Family’s Cameron character, I’m a bit biased, but again, speak from experience. I’m also not like some of my militant gay com-padre’s who won’t watch anything gay that has a hint of effeminate mannerisms. I don’t care, I want to be entertained and there are a lot of “Cameron’s” out there who possess them in real life so yeah, I watch and laugh with the rest of America. BUT, I’d like someone to convey the side of gay life seldom scene. Interesting gay people doing interesting things without camping it up. LOGO-TV has the power to do something about this and create quite a niche for themselves, but they choose not to.
2 Comments »
Leave a Reply
- Meet the Contestants of Amazing Race 21
- The Salvation Army’s Practices Make Chick fil-A Seem Tame
- Boycotting Chick Fil-A – Has The Gay Community Gone Too Far?
- Meet Big Brother 14′s Token Gay – Wil Heuser
- TV Fall Preview Alert – Partners (CBS) – A First Look
- Backlash of the Gay Male Comedians
- Backlash Of The Gay Stereotypes
- An Open Letter To LOGO-TV
- Reality TV: The Aftermath We Seldom See
- LOGO TV’s New Direction
- Reality TV – Where is the LGBT Representation?
- More Shark Tank News!
- Best of 2009
- Chick Fil-A
- Big Brother 11
- Happy Town
- Hell's Kitchen
- Kitchen Nightmares
- Live For The Moment
- More To Love
- Past Life
- Re-Inventing Bonaduce
- Reality TV
- Romantically Challenged
- Saturday Night Live
- Sons Of Tuscon
- Summer TV Preview
- The Amazing Race 15
- The Amazing Race 16
- The Deep End
- The Good Guys
- Undercover Boss